Nicholas Taylor-Collins in front of a bookshelf

Nicholas Taylor-Collins

Literary researcher | Creative reader

Tag: William Shakespeare

  • The between spaces in Jason Allen-Paisant’s ‘Self-Portrait as Othello’

    The between spaces in Jason Allen-Paisant’s ‘Self-Portrait as Othello’

    Jason Allen-Paisant won the 2023 Forward Prize and T.S. Eliot Prize for “Self-Portrait as Othello,” joining poets Sean O’Brien and Seamus Heaney in this rare accomplishment. His collection explores identity, racism, and coming-of-age in a foreign country, using space on the page to enhance the thematic caesurae and embodying the struggle of the ‘other’ in…

  • What is hyper-contemporary literature?

    This blog is entirely concerned with what I am terming hyper-contemporary literature. But what is hyper-contemporary literature, and how does it differ from any other kind of literature? When we read literature, the word ‘contemporary’ can mean two things. First, it means the historical moment of the text’s production. For Shakespeare’s plays, this is the…

  • Whose fault is it anyway? Margaret Atwood’s ‘The Testaments’

    Whose fault is it anyway? Margaret Atwood’s ‘The Testaments’

    No doubt editors are as old as authors. For Shakespeare, there were not only his fellow actors, but also the Master of the Revels to regulate, edit, and to censor his plays. T.S. Eliot made abundant and explicit use of Ezra Pound’s incisive cutting for ‘The Waste Land’ (1922), calling him ‘il miglio fabbro’ (‘the…