Hyper-contemporary literature: brand-new writing
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Bastardising epic: Shehean Karunatilaka’s ‘The Seven Moons of Maali Almeida’
Shehan Karunatilaka’s The Seven Moons of Maali Almeida (Sort of Books, 2022) won last year’s Booker Prize for its ‘energy, imagery and ideas [set] against a broad, surreal vision of the Sri Lankan civil wars’. We find that ‘surreal vision’ in its depiction of the afterlife—both the In Between (a version of purgatory), and the…
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Trans* today or yesterday? Andrea Lawlor’s ‘Paul Takes the Form of a Mortal Girl’
In a 2017 book Beyond Trans: Does Gender Matter?, Heath Fogg Davis asks: ‘Why not use transgender experience to fundamentally question the social custom of administrating sex?'[1] Using a queer logic that has roots in poststructural theory—the intricacies of which don’t need elaborating here—Davis joins two arguments. First, he argues that sex-identity discrimination—which ‘involves judgments…
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What is hyper-contemporary literature?
This blog is entirely concerned with what I am terming hyper-contemporary literature. But what is hyper-contemporary literature, and how does it differ from any other kind of literature? When we read literature, the word ‘contemporary’ can mean two things. First, it means the historical moment of the text’s production. For Shakespeare’s plays, this is the…
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